All of Bella Hadid’s Many Magnificent Cannes Film Festival Looks
See all her looks from the film festival here
Reported by Harper's Bazaar.
Bella Hadid arrived at Cannes 2025 like someone who had done serious homework — and then dressed accordingly. Over the course of the festival, she cycled through decades of fashion history with the ease of someone who actually understands clothes rather than just wearing them. According to Harper's Bazaar, the looks spanned everything from 1999 Prada to a custom 2025 column dress, and the through-line was clear: intentionality.
The most technically ambitious moment came courtesy of Schiaparelli. Daniel Roseberry designed an ivory crochet gown with trompe l'œil lace embroidery — a piece that required 130 artisans to complete. With its tiered mermaid train, long sleeves, and plunging neckline anchored by a single black brooch, it was a deliberate nod to Jane Birkin's 1969 Union of the Artists gala look. Meanwhile, for the Chopard Miracle Gala, stylist Mimi Cuttrell helped her source a Elie Saab Fall 2004 Couture gown — gold sequins dissolving into full chiffon — which she wore with Chopard diamonds. Both looks prove that the most powerful red carpet statements aren't always new.
The Archive Instinct
Hadid's off-carpet moments leaned even harder into the archive. A Marc Jacobs-era Louis Vuitton minidress from Spring 2003 — ice-blue, rounded collar, zip-up front — resurfaced paired with a vintage Prada bag. A light-blue Prada Spring 1999 set got Puma sneakers and a Spazzolato bag sourced from SHY. A sheer ruffle blouse from Preluvd was styled with double-belted khakis, a book charm on her Coach Chelsea bag, and animal-print pumps. These are not random vintage pulls; they're a studied point of view.
She also made the political personal. At one appearance, Hadid wore a black set from Haider Ackermann's Fall 2026 Tom Ford collection — high-neck, long sleeves, a deliberate strip of midriff — accessorized with a key-shaped pendant symbolizing the Palestinian right of return. Fashion as statement, not costume. Her custom Prada column dress for the Garance red carpet (gray satin, crystal-embroidered strapless neckline, matching bomber-sleeved cape) landed on the opposite end of the spectrum: pure glamour, architectural and controlled.
What Cannes confirmed is that Hadid isn't coasting on industry access — she's using it with real fluency, and that makes all the difference.
Read the original at Harper's Bazaar.
