Dsquared2 Resort 2027

Reported by Vogue.

Dean and Dan Caten have never been interested in the obvious. For Resort 2027, the Toronto-born twins took the Italian summer — one of fashion's most well-worn muses — and ran it through their distinctly Canadian filter, according to Vogue. The result is a collection built on productive contradiction: crisp '80s tailoring with a cowboy drawl, traditional silhouettes cut loose with sensuality, and a high-low cultural tension that feels less like a concept and more like a personality.

The men's side opened with unabashed glamour — tuxedos, silk pajamas, denim slathered in transparent sequins — before pivoting into louche gray and beige suiting that winked at Italian male elegance without ever taking it seriously. The hybridization the Catens are known for lived in the construction details: shirts with double sleeves styled as if a second piece had been casually knotted at the shoulder, trenches interrupted by denim inserts, track jacket DNA spliced into tailored forms. A brighter, sportier chapter brought in a vintage Americana-meets-Paninari energy — that distinctly Italian 1980s youth subculture — making it feel nostalgic and sharp at once.

The Women's Side: Where the Real Tension Lives

Denim, a Dsquared2 cornerstone, showed up with intention: women's jean ensembles featured strategic rips that exposed bouclé linings underneath — utilitarian on the surface, luxe in the reveal. Knitwear ranged from quietly refined to boldly preppy, with collegiate stripes doing the heavy lifting. The hybrid logic continued through the clothing's architecture — MA-1 bomber components reassembled into skirts, black blazers with denim cuff details offering a double-fastening twist. Lace-trimmed silk skirts paired with tops printed with cheeky Italian phrases (Il sole bacia i belli — the sun kisses the beautiful) landed the collection's most flirtatious moment.

Accessories closed the loop with the same irreverence. The newly launched Roxy Bag arrives draped in multiple belts. Sandals ride on Cosmo heels — stems shaped like cocktail glasses — and baseball-cap-inspired closure details appeared on mules, because of course they did. Nothing here is accidental, and nothing is trying too hard to be cool. It just is.

When your brand's entire identity is the collision of opposites, a collection like this isn't a creative stretch — it's proof that knowing exactly who you are is the most subversive move in the room.

Read the original at Vogue.