Rachel Comey Resort 2027

Reported by Vogue.

Rachel Comey has always designed for real women doing real things — and her Resort 2027 collection makes that philosophy impossible to miss. Her jumping-off point this season? A surprisingly specific new customer: commencement speakers. Two walked into one of her stores on the same day, and Comey, ever the observer, took notes.

According to Vogue, the collection reflects exactly that kind of pragmatic attentiveness. Forget the bloomers that have been proliferating across resort runways this season — Comey isn't interested in trends that don't translate to actual life. What she is interested in: a red knit button-down that functions as a jacket, paired with softly pleated long skirts in the same warm tone — the kind of look that reads polished on a June podium without sacrificing comfort. A sleeveless black dress with slant hip pockets rounds out the "I have somewhere important to be" category with quiet confidence.

From the Podium to the Party

But Comey knows a wardrobe needs range. A black pantsuit trimmed in brown faux fur lands squarely in holiday-party territory, and what she's calling "little bouncy hostess pajama sets" are clearly designed for the woman who entertains at home with as much intention as she brings to anything else. It's a full spectrum — from keynote to cocktail hour — and it all feels cohesive rather than scattered.

The casting, as always with Comey, is intentional. She's long made a point of featuring women across generations, and this season's standout is Gisele Zelauy, a Brazilian model who preceded Gisele Bündchen onto the scene by roughly fifteen years, emerging in the 1980s. Now based in Honolulu, Zelauy brings an unforced New York edge to a hooded shearling jacket and striped track pants that might be the collection's coolest pairing — proof that the sporty-luxe tension Comey navigates so well works at any age.

The real flex of Resort 2027 isn't any single piece — it's Comey's insistence that paying attention to how women actually live is still, somehow, a radical act in fashion.

Read the original at Vogue.