Take a Look Inside Some of the Dreamiest Homes in the Hamptons
From modern beach houses to Italianate mansions, take a look at exclusive photographs of Hamptons houses from a new book by Jennifer Ash Rudick.

Reported by Vogue.
There is a particular fantasy attached to the Hamptons that has nothing to do with the parties or the price tags — it's the houses. Specifically, the ones hidden behind the kind of hedgerows that feel personally aggressive to anyone without a weekend invitation. What is actually happening inside those cedar-shingled compounds? A new book finally answers the question.
Inside the Hamptons, written by Jennifer Ash Rudick and photographed by Tria Giovan, pulls back the curtain on some of the East End's most extraordinary private residences. According to Vogue, Rudick's relationship with the area stretches back to the mid-1980s, when a stay at a rambling Shingle Style house on East Hampton's Main Street struck her as distinctly, unapologetically American — whitewashed Louis XVI chairs in blue ticking, a Picasso sketch hung casually alongside framed menus from restaurants long since shuttered. That particular mix of pedigree and nonchalance is, arguably, the entire Hamptons aesthetic in a single room.
Authenticity Over Spectacle
In selecting which homes made the cut, Rudick was deliberate. "A house has to say something true about the person living in it," she tells Vogue, framing her curatorial instinct around authenticity rather than grandeur. The result is less architectural porn, more portrait series — each home functioning as a document of personality, of accumulation, of a life actually being lived rather than staged for resale. It's the difference between a house that impresses and one that reveals.
Rudick frames the broader project as an act of preservation. "The Hamptons is many things to many people, but at its best it's a solid community, one with a long memory and a layered history," she says, describing the book as something that might build a sense of shared identity — for the families who've summered there for generations and the people who discovered it last August alike. It's an unusually generous sentiment for a place not historically known for welcoming newcomers through those hedgerows.
What Inside the Hamptons ultimately argues is that the most interesting version of any aspirational place lives not in its spectacle but in its specificity — the worn rugs, the inherited art, the rooms that weren't designed so much as they were accumulated over decades of actual living. The dream isn't the hedge. It's what's growing on the other side of it.
Read the original at Vogue.


