The <em>Devil Wears Prada 2</em> Ladies Look Like the Most Glamorous Girl Group in London

Reported by Harper's Bazaar.

The Devil Wears Prada 2 press tour has basically turned into a masterclass in coordinated glamour. Anne Hathaway, Meryl Streep, and Emily Blunt showed up to a London photocall looking less like three separate A-listers and more like they'd just stepped out of a very expensive girl-group music video—all glossy black sunglasses, synced energy, and an almost eerie understanding of each other's assignment. Each woman brought a completely different silhouette and color story, yet somehow they read as a unified vision. It's the kind of red-carpet telepathy that only happens when everyone involved knows exactly what they're doing.

Streep, returning as the formidable Miranda Priestly, chose an Armani Privé ivory jacket that came complete with its own attitude problem: a sequin-covered red rosette blooming from one shoulder like a very expensive corsage, paired with black lace ribbon print and matching trousers. The callback was intentional—a nod to Miranda's infamous "Florals, for spring? Groundbreaking" line that basically launched a thousand memes. Black pumps, zero apologies.

Blunt leaned harder into the flower theme, pairing a simple black turtleneck with a Michael Kors Fall/Winter 2026 midi skirt that looked like someone had deconstructed an actual bouquet and stitched it back together in purple, red, and black petals. She balanced the ethereal skirt with strappy red Valentino Rockstuds and chunky gold hoops—a combination that said I respect the florals but I'm not precious about it.

Hathaway's moment came courtesy of an Armani Privé Fall 2024 black velvet coatdress studded with pearls and crystals that read less garden party and more celestial event. Where Streep went architectural drama and Blunt embraced romantic maximalism, Hathaway brought something closer to evening wear—a calculated shift that somehow made the trio feel even more deliberately orchestrated.

What made this work, according to Harper's Bazaar, was the restraint built into each choice. Three women, three completely different silhouettes, all working within the same color story and emotional frequency. No one was trying to out-dress anyone else; instead, they looked like they understood the assignment was larger than themselves. That's the kind of coordination that doesn't happen by accident.

Read the original at Harper's Bazaar.