The French Open Brings the Chicest Tennis-Court Style
It’s clay season in Paris
Reported by Harper's Bazaar.
Roland Garros has never been just about the tennis. Every year, the French Open turns Court Philippe-Chatrier into a de facto runway — and the 2026 edition is already delivering, according to Harper's Bazaar. The red ochre clay doesn't just test your backhand; it demands that every kit earn its place against one of sport's most visually striking backdrops.
Day one set the tone immediately. Teenage sensation Mirra Andreeva swept her opening match in a gradient pink kit — soft, deliberate, and completely unbothered. Novak Djokovic went full tonal in orange, essentially disappearing into the court like a very athletic chameleon. Day two belonged to Frances Tiafoe, who showed up to Court Simonne-Mathieu in monochrome navy broken up by white and red — a color palette so classically French it could have been curated by the city itself.
The Women Are Winning — On and Off the Court
Day three was pure theater. Naomi Osaka orchestrated a mid-tournament costume change at Court Suzanne-Lenglen: first, a sheer beaded black Nike set; then, a gold ruffled-and-sequined top with a matching miniskirt. Two looks, zero hesitation. Meanwhile, Aryna Sabalenka demolished her opponent in a layered orange-and-black minidress, wielding an electric-green Wilson racket like a prop she'd specifically chosen for dramatic effect. Shortly after, Coco Gauff arrived on the clay in head-to-toe lavender New Balance — kit, racket, and frilly socks included — coordinated to within an inch of its life.
Day four brought a tonal shift. Marta Kostyuk and Karen Khachanov both wore polished, vintage-inspired Wilson looks in cool gray — Khachanov finishing his with a backwards cap, because apparently the French Open is also accepting applications for effortless.
As the only Grand Slam still played on clay, Roland Garros offers something no other tournament can: a surface so richly colored that every outfit — lavender, gold, orange, gray — pops against it with the contrast of a fashion editorial. The setting does half the work, and these athletes are smart enough to meet it.
At Roland Garros, dressing for the court and dressing for the moment have always been the same thing.
Read the original at Harper's Bazaar.
