The Garment Resort 2027

Reported by Vogue.

Charlotte Eskildsen has made a habit of staying close to home — literally. After drawing on the hushed interiors of painter Vilhelm Hammershøi for pre-fall, the designer behind The Garment turned to Lille Mølle for resort 2027: a 17th-century windmill-turned-residence tucked near Christiania in Copenhagen. The historic landmark served as both the lookbook's setting and a material reference point, with several of the collection's jacquards directly echoing the upholstery found inside its walls.

The concept, according to Vogue, was a woman who "dresses not for spectacle, but for herself" — someone whose wardrobe reflects how she actually inhabits a space rather than how she performs within one. Eskildsen translated that into lace, lingerie silhouettes, and even bloomers (which are, quietly, having a moment), treating intimate dressing not as a lesser category but as a full creative vocabulary. A pajama set with a soft golden sheen reads equally well for a Netflix spiral or hosting dinner. The point is that you decide.

The Push and Pull That Makes It Work

What keeps The Garment from tipping into precious territory is Eskildsen's deliberate tension between soft and structural. Her "masculine-coded references" — a phrase she uses herself — are typically rooted in '90s tailoring, and resort 2027 is no different. Narrowly cut trousers paired with an asymmetrically fastened vest created unexpected drape; a silk slip dress with one spaghetti strap and one full sleeve used the same trick, letting the uneven weight of the fabric do the work. It's a subtle move, but it's the kind of thing that makes a garment feel alive on the body.

Elsewhere, a cropped Tyrolean jacket in boiled wool got reworked in passementerie-trimmed knit with frog closures — a piece that feels both archival and entirely wearable. A scallop-hemmed shorts set finished with a lace-edged cape brought a faintly fairytale energy, the kind that's more knowing than whimsical. Eskildsen isn't nostalgic for nostalgia's sake; she's mining it for something functional, even subversive.

The Garment's resort 2027 is a quiet argument that dressing for yourself — really for yourself, not as a performance of self-care — is its own form of radical intention.

Read the original at Vogue.