Zoë Kravitz Wears the Year’s Hottest Bridal Trend to the 2026 Met Gala
For the 2026 Met Gala, Zoë Kravitz—attending for the 11th time—walked the garden-inspired carpet clad in Saint Laurent by Anthony Vaccarello.

Reported by Vogue.
Zoë Kravitz has never needed the Met Gala to make a statement — but for her 11th appearance on the carpet, she arrived with a lot to say. Dressed in Saint Laurent by Anthony Vaccarello (she's a longtime house ambassador) and Jessica McCormack jewelry, Kravitz debuted something the fashion crowd had been waiting for: her engagement ring from Harry Styles, worn like it was always part of the look.
The dress itself was a lesson in restraint that still managed to hit hard. A guipure lace gown dyed black, worn unlined, with a basque waist — that corseted bodice that dips low over the hips — it's quietly become one of the most coveted silhouettes in bridal dressing this year, according to Vogue. Kravitz, naturally, wore it like she invented it. Black Romy slingback pumps completed the look without competing with it.
The Beauty Brief
Makeup artist Nina Park — Kravitz's longtime collaborator and the woman behind that blurred, barely-there lip liner technique everyone's been attempting to replicate — went romantic and undone for the occasion. Skin was prepped with SK-II, finished with L'Oréal Paris, and the overall effect read less "gala" and more Heathcliff's moor at midnight. The hair matched: a loose updo with escapee strands that leaned full Wuthering Heights — gothic, windswept, intentional. Betina Goldstein handled the nails, a fitting choice for what was effectively Kravitz's first major public moment post-engagement.
Between the ring, the black lace, and a beauty look that felt more intimate than performative, this was a full-circle moment — Kravitz at her most composed and, somehow, her most revealing.
When the dress is Saint Laurent, the jewelry is sentimental, and the makeup looks like you just woke up beautifully — that's not an accident, that's a vision.
Read the original at Vogue.


