Fashion

Florence Pugh and Finn Cole Go Red Carpet Official

Supporting Cole at the London premiere of ‘In the Shadows,’ Florence Pugh made a compelling case for a softly, softly approach to complementary couple style.

By Elliot O·Oct 10, 2026·2 min read
Florence Pugh and Finn Cole Go Red Carpet Official

Reported by Vogue.

There's a particular kind of couple style that doesn't announce itself — no matching silhouettes, no coordinated color story, just two people who clearly have their own thing going and somehow make it work together. At the BFI London Film Festival premiere of In the Shadows, Florence Pugh and Finn Cole delivered exactly that, stepping out as a confirmed red carpet pair for the first time and making a surprisingly strong case for aesthetic compatibility without aesthetic sameness.

Pugh, taking a brief detour from her East of Eden press circuit to support Cole, leaned fully into the romantic register she's been inhabiting lately. According to Vogue, she wore a gown from Wiederhoeft's spring 2027 collection — styled, as ever, by Rebecca Corbin-Murray — and layered it with silver Aquazzura sandals, a Bulgari Wild Pop necklace, high-jewelry earrings, and a constellation of Maria Tash diamond piercings. Hair by Hyungsun Ju landed in a bow-like half-up style; Celia Burton handled a shimmering makeup look; Nailglam finished the details. The whole thing read sweet and quietly sensual at once, which is exactly the tonal balance Pugh has been chasing across looks from Rodarte, Patrick McDowell, and Vivienne Westwood — diaphanous, sculptural, romantic, but with just enough of an edge to keep it from going full confection.

His Side of the Equation

Cole, working with stylist Tom O'Dell, went the opposite direction in the best way. A lightweight chocolate-brown double-breasted Brioni suit, a striped cotton shirt, and a brown wool-and-silk tie from the same Italian house formed the foundation — classic menswear codes executed with precision rather than fuss. A Cartier watch, a silver tie clip from his personal collection, and Grenson tassel loafers with white socks gave the look just enough personality to avoid feeling rote. Dark tailoring, considered accessories, clean lines: his wheelhouse, and he stayed firmly in it.

The result was two distinct style identities that somehow read as cohesive — embellishment and romance on one side, restraint and structure on the other. No attempt to blend, no compromise, no matchy-matchy shortcut. Just two people confident enough in their own taste to let contrast do the work.

The best couple style isn't about dressing alike — it's about each person being so fully themselves that the contrast becomes its own kind of harmony.


Read the original at Vogue.

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