Rosalía Gets Her Wings Back in Jonathan Anderson’s Dior

Reported by Vogue.

When Rosalía finally took the stage in Boston — the first stop of a long-delayed North American run — she arrived not just with her voice but with a full cosmology. Her fourth studio album, Lux, is a sprawling, genre-defiant thing: 14 languages, glitchy hip-hop, opera, reggaeton, flamenco-inflected attitude, all threaded through imagery of faith, iconography, and the divine. The wardrobe had to hold all of that. So she called Jonathan Anderson.

For the U.S. leg of the Lux tour, Rosalía partnered with Anderson at Dior on a series of custom stage looks — a collaboration that, according to Vogue, grew from a genuine creative alignment. "Hearing Rosalía talk about her process in creating Lux reminded me of couture," Anderson said. "She takes an immense knowledge of tradition and craft and creates something completely contemporary with it." For a house built on exactly that tension, the partnership made sense before a single sketch was drawn.

Four Looks, One Universe

The show opened with Rosalía in an ivory Dior knit tank and a diaphanous organza tutu skirt — leaf-shaped medallions hand-embroidered with white sequins and beads — soft and ceremonial, like a bride who studied at a conservatory. The second look swung hard in the other direction: a black jersey dress with embroidered brandebourgs and a satin tricorne hat pulled from Dior's spring 2026 ready-to-wear collection. Medieval high priestess energy, full stop. Then came the light again — a sky-blue open-front pannier dress, its satin ribbons shifting through a gradient as she performed a strangely electric cover of "Can't Take My Eyes Off of You." The finale was the one everyone will be talking about: an angel-wing cape constructed from organza and chiffon feathers, worn over a white quilted satin bra and sequin-and-silver-bead shorts. Anderson reportedly added personalized labels to each look. Even the inside of the costume is considered.

What makes this more than a celebrity-designer photo opportunity is the coherence. Every look tracked the emotional arc of Lux itself — ethereal, then shadowed, then transcendent. The clothes weren't dressing a pop star; they were doing dramaturgical work. Rosalía said she "can't wait for everyone to see our collaboration come to life on stage," and that's not press-release speak — it's someone who understands that performance costuming, at this level, is a visual argument about what a record means.

When fashion and music actually trust each other, the stage becomes its own kind of runway — and the result looks a lot like this.

Read the original at Vogue.