This Iconic Paris Nightclub Is Reopening as an Uber-Stylish New Hotel
The Bus Palladium is a 1970s-inflected, Studio KO-designed, Brutalist-facaded hangout with a new nightclub deep in its basement.

Reported by Vogue.
Rock music and hospitality have always made for strange roommates — one demands that you turn it up, the other that you keep it down. And yet the pairing keeps producing some of the world's most magnetic addresses. The latest to join that lineage is Bus Palladium, a newly opened 35-room hotel in Paris's 9ème arrondissement, built on the exact footprint of the legendary rock club that once lured Patti Smith, Serge Gainsbourg, Jane Birkin, and Salvador Dalí — who reportedly showed up one night with a leopard on a leash — according to Vogue.
The original venue dates to 1925, when it opened as L'Ange Rouge before entrepreneur James Arch rechristened it Bus Palladium in 1965 — the name a nod to the bus service he ran so that suburban kids could actually make it to the party. It closed in 2022 and was demolished, but hotelier Nicolas Saltiel of Chapitre Six — who once worked there as a waiter — saw the resurrection as inevitable. "Nobody wanted to touch it," he says. "The project was complicated, the construction was complicated… but when the idea came, I said, let's go." The street itself, Rue Fontaine, carries enough mythology to warrant its own exhibition: Toulouse-Lautrec, Degas, and André Breton all passed through.
The People Who Made It
Saltiel assembled the kind of team you'd cast for a film. Caroline de Maigret — model, music producer, self-described "Pigalle chick" — handles artistic direction, drawing on two decades of living in the neighborhood and a personal history booking bands at the original club. Chef Valentin Raffali brings his pedigree from Marseille's acclaimed Livingston restaurant, and nightlife veteran Lionel Bensemoun, founder of Le Baron, oversees the basement club: a two-level 1920s dancehall fantasy complete with balconies and an enormous glitterball. Architecture firm Studio KO (Karl Fournier and Olivier Marty) designed the space with a Brutalist facade cast as a replica of Arch's original building, softened inside with blush pink carpeting, exposed concrete, cork, wool, velvet, and vintage furniture sourced from Clignancourt's antique markets. Industrial stairwells are painted red — a direct reference to the backstage corridors at L'Olympia.
De Maigret's fingerprints are everywhere the eye doesn't immediately land. Staff wear impeccably cut brown corduroy suits from Husbands Paris — pure late-'60s Gainsbourg. The late-night menu leans into what you actually want after dancing: tortilla chips, salsa, Haribo. Rooms are fitted with OJAS speakers connected to a live feed from the club below, and her curated playlists — 3,000 tracks spanning Rosalía to Miles Davis, Prince to Fleetwood Mac, with dedicated French-language sets — are designed to shift your mood from arrival to abandon. The bar and restaurant operate around the clock, open to guests and neighborhood locals alike. Anti-velvet-rope is the whole point. "It won't be too shiny," Saltiel says. "It feels like something we don't really have in Paris."
Bus Palladium isn't cosplaying at cool — it's built by people who were actually there, and that's the difference between a hotel with a playlist and one with a soul.
Read the original at Vogue.


